I recently had an inquiry conversation where I explored my feelings about growing older, living alone, and envisioning what I want the rest of my life to look like. For the past five years, I’ve often said, “I am alone but not lonely.” This phrase became part of my identity, a way to signal to myself and others that “I’m fine,” “I’m not lonely.” But during this conversation, as I engaged with open-ended questions guiding me inward, I realized this statement wasn’t entirely true. Instead, I came to a deeper truth: I am lonely, but I am not alone. This realization shook me to my core. I felt a shift within—a cellular and gut-level rearrangement of my perceptions of myself, my life, and others. The truth is, like most people, I experience loneliness—sometimes profoundly. And it’s also true that I am not alone. I belong to Al-Anon. I belong to the natural world. I have a beautiful daughter, two loyal dogs, a community I’m part of, and friends. Even the neighbors I hardly know and the greeter at the grocery store are part of my aloneness. Our humanity includes loneliness. It’s part of who we are. Yet, another essential part of our humanity is that we are not alone; we belong to all of life. The phrase, “I am alone but not lonely,” was a kind of armor, protecting me from what I imagined others might think of my life. But the shift to “I am lonely but not alone” is richly paradoxical. When I admit and open up to my loneliness while holding the awareness that I am never truly alone, the loneliness itself softens and subsides. Aren’t we all familiar with this feeling of loneliness? While in reality, we belong to each other; we are not truly alone. In this inquiry conversation, I shared a poem as a Third Thing to help me listen more deeply to myself. This poem, acting as a Third Thing, brought unconscious insight, hidden in my psyche to the surface as a gift of awareness and action. Something More Than Lightbulbs by Ariel Dorfman Unexplainable in the middle of the night, a bird is singing and sings and signs again. Only I am listening to him. Only I am awake Now when everybody is sleeping. I am awake and alone. My friends are not here my marriage is in trouble. Now when I try to mearue if what I did was good or bad, when weith every turn of the toboggan the question comes back a child, like a lieaf that falls from the tree that is the same but older, when I insist and insist again that no one can hear me, the bird continues now as if no one were hearing him either. Perhaps he has confused my light with the beginnings of dawn. He sings, he wants company, maybe he is hapy that day has come back sooner than he expected. Wiser than me, with his hudnered times smaller brain, so much wiser. And I who can see no other light than his song at night, his song for me because he thinks I'm the sun. And now my son gets up to pee. Really, the night is full of dawns I I were not embalmed, I initially thought the poem ended with a comma, and that ambiguity resonated deeply. It left me feeling once embalmed—held by my old identity of being alone, yet not lonely. I could sense the bird arriving to sing for me, but what was her song? Could I even hear it?
How might you feel “embalmed”? Write about that. How do you identify yourself when it comes to being alone, old, young, or coupled? Take a moment to contemplate that. How is the night, during this difficult time, full of dawns? Write and contemplate that. Which lines in the poem stand out for you? Write about that. This poem, along with the open-ended questions posed by my partner in this inquiry, offers me encouragement and insight. It’s an invitation to show up with equanimity, with curiosity, and with openness and courage to whatever arises. Later, I discovered that the poem had a few additional last lines. Here’s how it truly ends: oh if I could only sing certain that in the middle of this night the sun the sun is rising somewhere near. “Oh, if I could only sing,” the inquiry and poem brought me to the awareness of my own singing and song: I am lonely but not alone. You, dear reader, are also here with me. What might bring you to the awareness of your song and how the sun is rising, somewhere near? Here is a link to the entire book to purchase: In Case of Fire In a Foreign Land by Ariel Dorman
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So much happens on the way.
On the way to the wedding. On the way to finishing that manuscript. On the way to your ideal life. On the way to figuring things out. On the way to making a decision. On the way to enlightenment. On the way to forgiveness. On the way to our death. We often believe in an ultimate arrival—a moment when everything finally makes sense and comes together. But in my experience, there’s no final arrival. When we reach a destination, some kind of conclusion, it’s fleeting because another horizon calls us forward. Most people come to me as a mentor and therapist because they feel stuck. They’re waiting for that final moment of clarity. But life isn’t about final moments. Life is always forward-facing—even into death. Life means movement, growth, always with a new horizon unfolding before us. On the way, things want to happen. Events, discoveries, synchronicities—they emerge unexpectedly. It’s important not to rush to a conclusion. Instead, appreciate the surprises and insights that might change your direction. That’s why I encourage you to embrace how “things take as long as they take.” Focus on the present experience and give attention to who and what shows up on your way. Write about what you’re on your way to, and where you are right now. Write about all your arrivals—make a list. What had to happen to arrive there? What inner transformation accompanied your external arrival? Contemplate what you’re on your way to next. What makes up your horizon? What action becomes possible from this contemplation? A man told me once that all the bad people Were needed. Maybe not all, but your fingernails You need; they are really claws, and we know Claws. The sharks—what about them? They make other fish swim faster. The hard-faced men In black coats who chase you for hours In dreams—that’s the only way to get you To the shore. Sometimes those hard women Who abandon you get you to say, “You.” A lazy part of us is like a tumbleweed. It doesn’t move on its own. Sometimes it takes A lot of Depression to get tumbleweeds moving. Then they blow across three or four States. This man told me that things work together. Bad handwriting sometimes leads to new ideas; And a careless God—who refuses to let people Eat from the Tree of Knowledge—can lead To books, and eventually to us. We write Poems with lies in them, but they help a little. –ROBERT BLY, “BAD PEOPLE” taken from The Zero Point Agreement: How to be who you already are Bullying can occur anywhere—whether online through platforms like Facebook and email, in national politics, or even at family gatherings. Bullies typically resort to threats, either direct or indirect. They might threaten to reveal your perceived weaknesses, hint that your job could be at risk, or harass you persistently until you comply with their demands. Often, they insist that their perspective is the only valid one. How are we to respond in an ethical and meaningful way to the bullies in our lives? (Write about this) How might our spiritual practice help us here? (Contemplate how your spiritual practice helps you with bullies). I've learned that no one can diminish us through bullying when we stay grounded in our principles and focus on what we are creating, rather than being drawn into external drama, no matter how real. When our minds are set on ethical principles, the bully can't distract us, because our attention and energy are dedicated to practicing those principles, creating something meaningful, or being engaged in something simple yet helpful. Bullies try to manipulate events and people to get what they want. They try to get us on the defensive. But they can only succeed with our consent. Don’t consent. Sometimes we don’t consent to bullying by taking action; other times we remain still and disengaged. We must each discern for ourselves how to respond to a bully or bullying environment. Bullies present an even greater challenge to our spiritual integrity when they manage an environment (work, politics, family, or a nation, for example). If we were raised in an environment where no one spoke up, we learn to be quiet to survive. Sometimes we learn to live under the radar of the abusers and bullies. But the bullying continues. So, living under the radar or not speaking up or feeling manipulated often means the bully is driving our bus and we are sitting in a back seat scared as they swerve about on the road. Sometimes we have to do what it takes to get off the bus; other times we have to get our hands on the steering wheel. Write about how a national bully presently impacts your daily life and what actions you might take to focus your life on your principles, your creative endeavors. What contemplative action (which are based on ethical principles) might you take to take hold of the steering wheel? What does getting off the bus mean to you and what might that look like in your life? An excerpt from The Zero Point Agreement: How to Be Who You Already Are (p. 150). Inner Traditions/Bear & Company. I wanted the plums, but I waited. The sun went down. The fire went out. With no lights on I waited. From the night again-- those words: how stupid I was. And I closed my eyes to listen. The words all sank down, deep and rich. I felt their truth and began to live them. They were mine to enjoy. Who but a friend could give so sternly what the sky feels for everyone but few learn to cherish? In the dark with the truth I began the sentence of my life and found it so simple there was no way back into qualifying my thoughts with irony or anything like that. I went to the fridge and opened it-- sure enough the light was on. I reached in and got the plums. –WILLIAM STAFFORD, “THINKING ABOUT BEING CALLED SIMPLE BY A CRITIC”, Taken from The Zero Point Agreement: How to Be Who You Already Are “Throughout my whole life, during every minute of it, the world has been gradually lightening up and blazing before my eyes until it has come to surround me, entirely lit up from within.” – Pierre Teilhard De Chardin, French Philosopher and Jesuit Priest “Ten years ago . . . I turned my face for a moment and it became my life. Sometimes I go about pitying myself , and all along my soul is being blown by great winds across the sky." – OJIBWE SAYING Writer's Prompts:
“You just write about your personal experiences.” The comment was casual, yet it lingered, adding to a hesitation that kept me from finishing my next book. He may have intended it to be a question, but I had no follow-up response. I had started and stopped writing this latest book many times. This wasn’t my first time feeling this conflict, but hearing it spoken aloud strengthened my resistance. We were walking the Military Trail, and the words came from someone I was getting to know from my yoga class. Perhaps that made it even more unsettling—he had unknowingly touched on something I secretly believed: writing about yourself is selfish, self-indulgent, and dull. In addition, he was an investigative journalist who had shared how he lost his way to the page. Then I heard these words from Clarissa Pinkola Estés from her audiobook, How to Be an Elder: Myths and Stories of the Wise Woman Archetype. (I listen to her as I walk the same Military Trail out of Mount Horeb.)
“What is an elder?” she asks. “Elders are the keepers of stories, the holders of memories. We tell the stories because we remember them. Stories come to those who are able to tell them.” She explains how the stories we share—whether through writing, in therapy, or around a fire—are all forms of transmission. Just as Tibetan elders pass on wisdom through teachings and transmissions of stories, we, too, who are born to write, teach, serve, and guide, transmit wisdom through our personal stories. She speaks about how these stories that come to us are meant to be shared. “Recording and sharing the stories of your life is how you transmit knowledge to those younger than you.” Younger in consciousness or understanding, not necessarily in age. “An elder,” she says, “is recognized by the stories they carry.” I felt a surge of energy as I realized that my stories are transmissions—of what I’ve learned, the mistakes I’ve made, and the wisdom waiting to be shared. All our stories are here to be written or spoken, inviting connection, reflection, and transformation for ourselves and others. A painter creates from what they see, know, and experience—they paint their stories. We would never suggest that they shouldn't draw from their own lives to create their art. I have always written from my experiences—from my life—eleven books to be exact. Even my (unpublished) novel is borrowed from my life. When a story becomes a transmission, I’ve turned what is meaningful to me into something meaningful for others. Let’s have the courage to push through the resistance that tries to silence us. As women, we’re often told that our stories are "just" personal, not significant. Yet within these very stories lies the medicine that can heal us. So, what stories have come to you? Write about them. List pivotal moments in your life and write about one at a time. Go to my home page on my website to get your free PDF on how to write powerful stories from personal experiences:Turning Your Life into a Story. One final note—in writing this piece for you, I laugh with joy and relief. I have not only written from personal experience, but much of my teaching and mentoring is all about successfully writing from our life experiences. So yes, I do write about (and from) my life. –For Ric. (The pieces in quotes are from his unpublished memoir, And Then There Was I ). By thirty-six, he’d already lost his soulmate to AIDS and had sat by the beds of two hundred and fifty men, watching them slip away and wrote about it in his memoir, And Then There Was I. “The thing I soon realized after his death was that the only thing that I could possibly do with the loss was to learn to love myself the way that only he could. It was as if my severe grief was all tied into this feeling of abandonment that I was being challenged to fill in for myself. Something that came naturally and easily for him was nearly impossible for me to implement—it caused me many years of mourning, depression, and upset with God.” When I met Ric, he encouraged me to dance. He danced every morning, with Sai Baba, his heart lifted in ecstasy, opening to his teacher. He sent my mom a Mother’s Day card, thanking her for raising me. Mailed me fresh macarons from his local bakery wrapped in crinkly brown paper. He left the family farm in Wisconsin, left his dog, left it all, to find out who he was. He came out when being gay meant death by disease. “My whole life was swallowed by the suffering of the AIDS community.” He was a massage therapist to those blistering and broken bodies, a container for their grief, promising them meaning. “While the world searched for a cure, I searched for meaning in the spiritual care of the dying.” His heart carried their weight, but he never stopped loving. He missed his mom-- believed no one should grow up without their mother’s touch, that something vital would be lost forever. Sai Baba spoke through him, told him to write, promised he and I would meet again that we will all be together. He made lemon bars, just for me, put them in the freezer for when he was feeling better, and I could visit. Then his heart gave out. Survived too by me—just a friend. I feel him dancing out beyond my view, still speaking, still loving, still keeping the promise alive. “Where does my love for him begin? Looking back, it is hard to tell. Was it at his deathbed where I sainted him? Was it the first time we did ecstasy at Charm Lee Park? Was it the first time you stepped out on me and told me about it? Or was it when you gave me that makeup present from the Bodhi Tree bookstore of Joseph Campbell and the Mystery of Myths? Or was it that Easter Sunday out in Joshua Tree National Monument, where I pointed out that we were in the middle of a temple with the faces of God watching over us and directing our way? Or was it that other Easter Sunday when I slipped and crashed in Joshua Tree, and you had to tend my arms from all the fragments of quartz impaled into them? Or was it that first time you introduced me to a threesome that I hated and continued doing with you because of my inhibitions? Or was it when you told me your cousin molested you when you were 12? Or was it the time that I took my family to the Universal theme park and left you home because you were too sick to go? Or was it when we came home, and you had assembled an entire dinner for all of us and couldn’t eat a bite yourself?” Ric's memoir may be lost to the world—this world—but I witnessed every word and story open and transform him. And me.
A writing prompt for you: Write a poem for a friend who has passed. A contemplation: What impact are you leaving behind for your friends and loved ones? "The soul wants to give us life and wants us to pass that gift along, to become life-givers in a world that deals too much death." —Parker J. Palmer Parker J. Palmer’s teachings and mine come from a similar dye. Though we have different lineages of teachers, our paths at times have been parallel, for we advocate and teach similar themes: living life from the inside out, understanding and developing our true nature, living with contradictions, trusting our inner truth, and being in authentic relationship. During initial conversations about the possibility of this book (The Clue of the Red Thread), Parker referred to his core teachings as “red threads.” I trusted the arrival of the red thread as a well-timed metaphor. Through Parker’s intuitive nature, the helping spirits, and my own explorations, I chose the red thread as the thematic metaphor for this book. This makes for that perfect blend of an active life that Parker and I so often refer to, one in which we trust what arises out of authentic conversation, we actively engage in contemplative action through our observations, and we acknowledge that there is an underlying filament of Spirit helping bring together what is truly possible. With each turn we take in the metaphorical labyrinth, which represents particular points in our lives, we use a red thread teaching and related practices offered here to help us explore and try on a particular concept for ourselves. We take hold of the red thread clues to go down into the centers of ourselves, confront our fears and limitations, and come back out to our communities truer to our calling and inner nature. In exploring these teachings for ourselves, we come to recognize the potential within each of life’s turns and circumstances. Life is about holding onto and passing on the red thread, which, of course, is a metaphor for the available wisdom and possibilities present in any given situation. The red thread is a rich analogy for how we can unravel the truth contained within us to navigate our outer life at any point, no matter the circumstances. As it turns out, the greatest and most needed adventure of our life is to go inward and, ultimately, live from the inside out. This is an excerpt from Here, Take This Gift, in The Clue of The Red Thread: Discovering Fearlessness and Compassion in Uncertain Times Come and get your writing prompt from me at Kismet Books in Veronal Wisconsin, this Saturday, August 31st, 2024. Put your name in for a free month of writing mentorship with me.
“A difficult and challenging time must be taken as an opportunity to express in the outer world our highest inner principles. “ – BRIAN BROWNE WALKER, THE I CHING OR BOOK OF CHANGE I recently had one of my dark days. This is when a negative mood or attitude gets triggered, and I fall into the rabbit hole. How long I remain in the dark is entirely up to me. I don't want my habits to live my life. I don't want my habit energy to interfere with my relationships with others. I don't want my habitual ways to be the lens through which I view my life or others. Usually, a life of excessive comfort is a life of habits. When we free ourselves from our habits and habit energy, we feel the discomfort of a fully engaged life. Habits are happy sitting on the cruise ship’s lounger. Freedom from our habits has us off the ship's deck, meeting up with new and strange places and people. Habit energy will have us respond similarly to circumstances, let our anger, grief or disappointment filter, and infiltrate everything like poison in a well. The water becomes undrinkable, life uninhabitable for authentic living. (By the way, our beliefs can be habits, too! When we don’t engage our curiosity, challenge our misunderstandings, and make assumptions, our beliefs are habits.) There is a story in Zen circles about a man and a horse. The horse gallops quickly, and it appears that the man on the horse is going somewhere important. A woman standing alongside the road shouts, "Where are you going?" The man replies, "I don't know! Ask the horse!" We can be like this. We don't know what we are doing or where we are going, and we need help to stop. When I feel an intense emotion, habit energy will surely be there, and I find it hard to push through it. The horse is our habit energy dictating our feelings and actions. And we often either don't know we aren't free or in control or can't seem to free ourselves from the clutches of our habit energy. The best way I have discovered to stop letting habits live my life, to get up and off the deck chair, or not to let negative habit energy ruin a good day is to switch the channel. First, I recognize that this is habit energy. Then, I change the channel by reading something helpful, consulting the I Ching, or listening to a spiritual teacher's wisdom. This takes a willingness to let go of the negativity and the ability to focus on something else. I do whatever I can to stop and notice that the laziness or negativity is habit energy. Next, I consciously choose to focus on something uplifting. I often walk, talk to the trees, and talk to my higher power, becoming more and more mindful of the moment's reality. I have a couple of reliable practices in my back pocket to help me transform habit energy and reactivity. One is to become aware and mindful of the sensations in the body and thoughts in the mind without adding any narrative. This is a witnessing practice called Hosting The Edge that I write about in The Clue of The Red Thread. We host our edges and become free. My second favorite practice is using the 3 R’s to touch reality rather than being reactive and caught up in some habitual response to difficult circumstances. More on this practice can also be found in The Clue of The Red Thread. “A disturbed mind makes mistakes and doesn’t know or see reality.” – HIS HOLINESS THE FOURTEENTH DALAI LAMA The Three R’s of Touching Reality
When was the last time you fell down a dark rabbit hole? How did you get out? Write about that. “If you are not free to be who you are, you are not free,” says Dr. Estés. When I claim that I am a dangerous old woman, I am free to be dangerous in ways that only free old women like me can be. What makes me a dangerous old woman is that I can take the wildness and imagination of my youth and bring it to full bloom here and now. I don’t stress about what others think of me. I have the experience of being a misfit with a purpose. I have never felt invisible. So many women bring this up: how they feel invisible. Indivisible is more like it! Unable to be divided from within. Perhaps there are those who can't see us. That’s on them. The dangerous old woman uses this invisibility to her and others’ benefit. That is one thing that makes us so very dangerous. We don’t take action for recognition; we act to make a difference, to influence the world around us. We use our invisibility to enter rooms undetected where we might not otherwise have access. We are also dangerous in other ways. We can go where we want, say what we want, and speak our minds. We are afraid of no one while we resist dogma and rules. But we are masterful at listening to and acting on our decades of wisdom and experience. Here are some contemplations and writing prompts for and from the Dangerous Old Woman (and for those dangerous old men, too): What dogma have you freed yourself from? Write and contemplate that. When did you last write a blessing or a poem for a friend? What are the daily choices that most empower you? Where do you find it necessary to persevere, to keep at it? Where do you need to let go, to release? Write about times when perseverance, keeping at it, is held in the same place as releasing and letting go. (Yoga comes to mind. Hold the posture and let go of the outcome. Let go and let the body do its healing.) Join me and other writers and spiritual friends in this upcoming series of live sessions:
Explorations into Mindfulness and Breath for Writers & Creatives Explore the joy of mindfulness and breath to enhance and deepen your writing practice and creative awareness. Mindfulness of breath, of our physical and emotional body, and of the world around us awakens us to our greatest imaginations and joy. Such practices invite creative breakthroughs. A 6 month commitment to advance your writing, your mindfulness practices, and your creative awareness. We will come together two times a month as a practice community. COMING UP IN OCTOBER, 2024 We will meet each month on the 2nd Thursday at 7:00 PM CST (for community, lessons and prompts for the month) and the 4th Wednesday at 7:00 AM CST for meditation (these will be recorded) through March, 2025. Click here to REGISTER or discover more about this unique opportunity. I'm approaching 70, so I am confident that I am an expert on rejection and abandonment—so much so that I have written about it in a couple of my books. However, I can't wholly admit that I am an expert at anything else I write about. I find that those dynamics that keep showing up in our lives tend to offer lessons, and when we learn from them, we may well become experts on the subject. So here I am in the last year of my 60's an expert on rejection and abandonment anxiety. I sent out a book proposal to an agent last week. This book is about how people who hear and see inwardly and outwardly discover the divinity within themselves and outside themselves. And how this divine presence can transform anxiety into serenity. It took her one day to let me know that this was not what she was looking for. On my walk the next day, I had an ah-ha moment -- well, more of a reminder. I remembered that this wasn't a rejection but simply a "not now," "not this person," and "not at this time.” I get my best ideas on my walks. This ah-ha came on the heels of another idea for the book on divine presence. Had the agent accepted my book, I likely would have missed this valuable insight. So, "not yet," allows me to explore more about this subject of our inner and outer divinity as a healer to our myriad expressions of anxiety. What tends to repeat in your life that may be worth exploring on the page? Write about that. "There are other ways to know she is present as well, perhaps most occurring under the “category” of a sweetly quiet “Aha!” somewhere in the vicinity between heart and divinity." Estes Ph.D., Clarissa Pinkola. from, Untie the Strong Woman: Blessed Mother's Immaculate Love for the Wild Soul At this remarkable age I can also trust the timing of what becomes possible and when. Every supposed rejection (from people, publishers, groups, family) has in the end brought me to where I want to be, often where I am meant to be, and with whom. Through the various rejections I have found my inner and outer home. So, I am a tad excited about this most recent no, because a yes is sure to arrive, just in time. "After the final no there comes a yes / And on that yes the future world depends.” ― Wallace Stevens. This is the quote that I put at the start of my first book that was published by Doubleday back in 1989, because I could have wallpapered my house with rejection slips. |
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©2024 Julie Tallard Johnson, MSW, LCSW
Mentor, therapist, citizen
Transformational & Embodied Counselor & Mentor
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Mentor, therapist, citizen
Transformational & Embodied Counselor & Mentor
Most rights reserved. Admin